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8 January 1836 – 25 June 1912. Most renowned painters.

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Ary Scheffer
Dante and Virgil Encountering the Shades of Francesca de Rimini and Paolo in the Underworld

ID: 92360

Ary Scheffer Dante and Virgil Encountering the Shades of Francesca de Rimini and Paolo in the Underworld
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Ary Scheffer Dante and Virgil Encountering the Shades of Francesca de Rimini and Paolo in the Underworld


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Ary Scheffer

Dordrecht 1795-Argenteuil 1858 Dutch painter, sculptor and lithographer, active in France. He became a French citizen in 1850. He received his earliest training in the studio of his parents, Johann-Bernhard Scheffer (1764-1809) and Cornelia Scheffer (1769-1839), who were both artists, as was his brother Henri Scheffer (1798-1862). He then attended the Amsterdam Teeken-Academie (1806-9). At the first Exhibition of Living Masters in Amsterdam in 1808 he showed Hannibal Swearing to Avenge the Death of his Brother Hasdrubal   Related Paintings of Ary Scheffer :. | Mignon desires her fatherland | Ary Scheffer | Greek Women Imploring at the Virgin of Assistance | Shades of Francesca de Rimini and Paolo in the Underworld | Dante and Virgil Encountering the Shades of Francesca de Rimini and Paolo in the Underworld |
Related Artists:
Henri-Horace Roland de La Porte
Paris 1724-1793 French painter. He was a pupil of Jean-Baptiste Oudry and was approved by the Academie Royale de Peinture et de Sculpture in 1761 as a 'painter of animals and fruit'. He presented his morceau de reception, the ambitious Vase of Lapis, Ornamented with Bronze and Placed near a Globe (Paris, Louvre), in 1763. This large painting is reminiscent of Oudry's work and depicts a collection of sumptuous objects against a simple cloth backdrop. Roland de la Porte's later works are much more intimate in scale and approach and depict simple rustic objects in a restrained yet realistic fashion in a manner akin to Chardin, for whose works his own have been mistaken. The Still-life with Bread and Fruit (Rotterdam, Boymans-van Beuningen) is bathed in a warm light; the composition is unusual in that the bread, plums and preserve pot are represented at the viewer's eye level, obscuring the top of the table. The Little Orange Tree (Karlsruhe, Staatl. Ksthalle) uses several devices similar to those used by Chardin: a light source comes from the upper left-hand side, throwing some of the surfaces into relief and highlighting them against the indistinct background; a single straw is brought into focus and seems to protrude out of the picture
Thomas Gooch
British c 1750-1802
Frank Street
American, 1893-1944






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